Commercial · Campaign · Lookbook · Product
photography built to sell the idea.
Fashion, product, lookbook, campaign and motion photography for brands that need more than standard content.
Quick overview
Who it’s for
Brands, agencies, designers, startups and businesses.
Location
Studio, on-location or worldwide.
Deliverables
High-resolution images for web and print, plus motion where required.
Turnaround
Typically 2–3 weeks depending on scope.
What we photograph
Campaign, collection, product, motion.
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Capabilities
Scope & pricing
Commercial work is quoted, not listed.
Every campaign is priced against its own brief. Scope, production and usage all move the figure, and no two jobs land in the same place.
Tell us what you are making, where it will run and for how long. You will get a full quote with production costs and licensing set out as separate lines, so you can see exactly what you are paying for.
Every project covers pre-production and planning, the shoot, a private selection gallery, colour finishing and retouching, and high-resolution and web-ready files delivered securely.
Quoted on top where a brief needs them: additional locations, motion, production and crew, equipment hire, usage licensing, and travel. International travel and accommodation are quoted as production costs at the outset.
Tell us the shape of it. We send back a number.
Team headshots are priced by headcount. Commercial work is priced against the brief, the usage and the deadline. Budget and usage are the two answers that turn an enquiry into a proposal rather than a guess.
If you are booking a published-price session you do not need this form. Book it from the page it sits on.
Why Tilt Your Head
Creative thinking, commercial results.
With a fashion photography background and extensive experience across brands, artists and agencies, we produce imagery that works creatively and commercially. From concept to delivery, we handle the visual process or work within your existing production team.
A brand usually starts with one shoot and discovers it needs three: the founder portrait, the product, then the campaign that ties them together. Planned as one job it costs less and looks like one brand. Commissioned in three separate panics, it does not.
Incredible photography work brought our collection to life.
Selected work
How these projects actually run.
Case studies from commercial and campaign projects: what the brief was, what the work covered, and what we would do differently if it started again.
- WAYAWAYA: a founder shoot that became a campaignPortraits first, then the people who make the product, then imagery that had to work across social, the website and e-commerce.
- More case studies in preparationEyewear, rail brand campaign work and a decade of collection imagery are being written up next. In the meantime, the fastest way to see whether we fit a project is to describe it.
Before you book
Everything you might want to ask.
What types of projects do you shoot?
What types of projects do you shoot?
Fashion and lookbooks, campaigns and advertising, product and still life, e-commerce, jewellery and accessories, editorial, paid social content, and stills alongside motion.
Do you provide crew or production?
Do you provide crew or production?
We can arrange casting, hair, make-up, styling, props and location as part of production, or work alongside your own team. Either way it appears as a visible line item rather than being folded invisibly into a day rate.
What is included in the quote?
What is included in the quote?
The creative fee covers pre-production, the shoot, selection, colour finishing and delivery. Production costs and usage licensing are quoted on top so you can see exactly what each part costs.
How does licensing work?
How does licensing work?
Licensing is agreed up front based on where the images will run, in which territories and for how long. Broader usage costs more; a small social-only licence costs less than a national campaign. It is written into the quote rather than left vague.
Do you shoot both stills and motion?
Do you shoot both stills and motion?
Yes, and shooting them on the same day is far cheaper than two productions.
If the brief needs a script, interviews, sound or a dedicated crew, we quote it as a film production rather than an add-on, because that is what it is.
How soon will I receive the images?
How soon will I receive the images?
Typically two to three weeks depending on scope. If you need a faster turnaround, say so at the enquiry stage and we will tell you honestly whether it is achievable.
Trans and non-binary talent and clients are photographed here as a matter of course, and the studio is set up for people who find shoot days hard: a running order in advance, one quiet room, direction given out loud and specifically, and lighting without flash on request.